Sunday, October 28, 2007

Strangers





Taking pictures of strangers can be an extremely rewarding experience. I've dabbled with both extremes concerning photographing people I don't know.

I've taken photos of people I don't know for things like fashion and styling shoots. These individuals model intentionally. They are aware of the fact that I am going to take photographs of them. Usually, they are comfortable with this. They should be comfortable or else they should find another line of work.

On the opposite end of the spectrum, I've gone on assignments were I am supposed to capture people in the moment. The shots are candid and there is no preparation. Typically with these shots, it's hit or miss-- you either capture the moment or you don't. These people can sometimes be unaware of the fact that a photo is being taken, and that's what I like most about candid shots. There is no prep time. There is no second chance.

It's a completely different story when it comes to approaching strangers and asking them to take a photograph of them. People are extremely cautious, and they often hesitate if they feel uncomfortable. But, as a photographer, it's part of the deal. Most people do not walk around with the expectation of being photographed. They worry about where or how their face will appear. It's funny, though, because the excuse of Oh, I'm a student. This is for a project seems to work for everything.

Apparently, students are completely harmless.

Monday, October 8, 2007

Document



This set documents the often misunderstood Blythe dolls. Are they creepy, cute, or both? The dolls can appear to be very human through expressions, styling, and motion. They can be mysterious or friendly. It's up to the viewer to decide how to interpret and interact with these quirky creatures.

People are often resistant to creative photography when it comes to dolls. Dolls can evoke and provoke just as much emotion as humans. There is no reason to avoid strange, beautiful, or controversial photography-- especially when Blythes are involved.

I have always found it difficult to photograph Blythes when the final products of my efforts are meant for people not accustomed to viewing the dolls. I am very protective of my Blythes, seeing as how I feel they are more than lifeless chunks of plastic. It's challenging to craft a method of allowing people to view Blythes without being biased by other less intimidating dolls, like Barbie or Cabbage Patch Kids. I feel a document is a successful way to go about this. This assignment allowed me to demonstrate not only the creative side of photography, but the personified aura of Blythes.